He believed that Gothic architecture was man's greatest achievement, uniting spiritual and aesthetic values, and was best known for his renderings of gargoyles and European churches.  He was remarkably prolific, considering that he worked slowly and deliberately and spent much time traveling, writing, and lecturing.

He was born in Washington D.C., and studied law at Princeton University and then transferred to the Massachusetts Institute of Technology to study architecture, earning a masters degrees in 1912.  For five years after his graduation, he worked for Carrere and Hastings, an architectural firm and then became a partner in another firm named Clark and Adams.

In 1913, he made his first etching and by 1927 began exhibiting his architectural etchings at the National Arts Club and the Salmagundi Club in New York. He also worked in aquatint and often combined the two mediums. In addition to medieval architecture, he etched scenes of Maine and a series of American cities.

He was a member of principal art organizations including the National Institute of Arts and Letters, and he wrote several books on prints and printmaking including Handbook on Printmaking and Printmakers.


Source:
Matthew Baigell, Dictionary of American Art

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